We are Phauna
Art that restores nature and let you stay connected
Introduction
Welcome to Phauna, a unique intersection of breathtaking digital art and tangible support for biodiversity. Endorsed by a globally renowned NGO, our digital art platform takes pride in its transparency, assuring that your contributions to nature restoration are not just rewarding but also create meaningful, lasting impacts.
Sophron founded a Dutch AI consultancy five years ago, but it was the advent of 'Regenerative Finance' that truly sparked his passion. Combining his technological expertise with a commitment to environmental sustainability, he regards Phauna as more than just a project; it's the embodiment of his personal mission to drive long-term ecological change.
![[object Object]](/static/media/sophron.c2a843a2a1af8b513f3d.png)
Our story
Phauna was born out of a belief that supporting the environment should be engaging, personal, and transparent. We transform donations into an experience, connecting art lovers to nature preservation. With Phauna, you acquire inspiring art, join a passionate community, and witness your tangible impact on the environment.
Our collections
Arjan Dwarshuis, a globally acclaimed birder, presents our first collection. Through his lens, he captures his record-breaking birding year, featuring stunning images of the world's most endangered species. His passion for birding is palpable and infectious.
Roadmap
Phauna's journey first big milestone is August 1st with our Genesis collection of 200 pieces. The 'Arjan's Big Year' main collection launches in November, followed by a second main collection in the Q1 2024. This is just the start, envisioning Phauna as a scalable platform for sustainable digital art in the next 3 years.
Our Impact
70% of our proceeds are dedicated to land acquistion for nature restoration, combating climate change and promoting biodiversity. With trusted global organizations, we provide regular updates on the progress, allowing art holders to witness the impact of their contributions.
